B.索罗金《马纳拉加》和B.佩列文《超人类主义公司》:反乌托邦文学中的认知扭曲和文化仿真  

Manaraga by Vladimir Sorokin and Transhumanism Inc.by Viktor Pelevin:Cognitive Distortion and Cultural Simulation in Dystopian Literature

作　　者： 杨可(译) N.Brich;Yang Ke

机构地区：[1]深圳北理莫斯科大学

出　　处：《俄罗斯文艺》2024年第4期71-79,共9页Russian Literature & Arts

摘　　要：本文分析了当代俄罗斯反乌托邦小说的主要问题和主题。我们认为,在当代反乌托邦文学中,对文字和图书文化永生信念的丧失这一情节往往伴随着关于人性或进步危险的争论,并且,这种进步危险常常被认为完全不可避免。20世纪的反乌托邦文学展示了全球技术灾难(或进步)之后的人类生活,预测了新的世界政治图景,并对历史事件、文化规范和价值观进行了批判性思考。本文认为,图书文化转型的悲剧性故事的出现,对丧失与人的自由道德和精神选择密切相关的文化符号情节的高度关注,是21世纪反乌托邦文学最重要的标志。This paper analyzes the major issues and themes in contemporary Russian dystopian novels.We believe that the plot of the loss of faith in the immortality of written and book culture is often accompanied by debates about human nature or the dangers of progress,which are usually considered completely inevitable,in contemporary dystopian literature.The 20th-century dystopian literature demonstrates human life after a global technological catastrophe(or progress),predicts a new world political landscape,and critically reflects on historical events,cultural norms,and values.This paper holds that the most significant signs of the 21st-century dystopian literature are the emergence of tragic stories about the transformation of book culture,and the great concern about the plot of the loss of cultural symbols which are closely related to human free moral and spiritual choice.

关 键 词：反乌托邦 认知扭曲 文化符号仿真 B.索罗金 B.佩列文 

分 类 号：I512.074[文学—其他各国文学]