彝族历史文化视角下的三星堆文化  

Sanxingdui Culture from the Perspective of Yi People's History and Culture

作　　者：段树乔[1] DUAN Shu-qiao(Yunnan University Soft Science and Systems Engineering Research Center,Kunming,Yunan650051,China)

机构地区：[1]云南大学软科学与系统工程研究中心,云南昆明650051

出　　处：《贵州工程应用技术学院学报》2024年第4期23-35,共13页Journal of Guizhou University Of Engineering Science

摘　　要：三星堆出土的器物上有许多图案,这些图案是“三星堆人”的“文字”,表达了特定的“图语”,有些“图语”又与特定的器物本身的“物语”相结合形成综合性寓意,而且有些图案与古彝文字相同、相似,属于“图画文字”,这些“图画文字”与载体之间的关系在彝族的历史文化视角下得到了合理的解释。三星堆文化的本质是以祖先崇拜为思想基础,在当时特定的历史文化背景和环境中,“三星堆人”祈求日月神和祖先神来战胜洪涝和地震灾害的一种祭祀文化,其秉承了仰韶文化北首岭类型的“鸟啄鱼”的地震文化、“以刻画祖先眼睛为特征”的石峁文化、夏后氏的“禘祭黄帝”文化和中原二里头的使用牙璋的祭祀文化,是华夏文化在特定的时空框架中绽放的奇葩,是中华文明多元一体格局的生动体现。There are many symbols on the artifacts unearthed in Sanxingdui,which are the characters of Sanxingdui people and express the specific graphic language.Some graphic language are combined with the object implied language of specific cultural relic itself to form a comprehensive implied meaning.Moreover,some patterns are the same and similar to the ancient Yi characters,belonging to graphic text.The relationship between these graphic text and the carrier can be reasonably explained from the perspective of Yi's history and culture.The essence of Sanxingdui culture is a culture of sacrifice based on ancestor worship of the Sanxingdui people prayed for the God of the sun and moon and the God of the ancestors to overcome the disaster of flood and earthquake in the specific historical and cultural background and environment at that time,it is inherits the bird pecking fish earthquake culture of the Beishouling type of Yangshao culture,Shimao culture of characterized by the depiction of ancestors'eyes,the Xia Hou's culture of worship the Yellow Emperor and the sacrificial culture of using Yazhang in Erlitou,central plain.It is a wonderful flower in the specific time and space frame of Chinese culture and a vivid embodiment of the diversified and integrated pattern of the Chinese civilization.

关 键 词：彝族历史文化 三星堆文化 物语 图语 图画文字 

分 类 号：C95[社会学—民族学]