油画的“表情”——“第十四届全国美展油画展”评述  

The"Expressions"of Oil Painting:Commentary on the Oil Painting Exhibition of the 14th National Exhibition of Fine Arts

作　　者：郑工 Zheng Gong(Fine Arts Research Center,Guangzhou Academy of Fine Arts;Chinese National Academy of Arts)

机构地区：[1]广州美术学院美术学研究中心 [2]中国艺术研究院

出　　处：《美术》2024年第10期24-28,共5页Art Magazine

摘　　要：本文从观看者的角度,论述“第十四届全国美展油画展”的三大“表情”特征:写实性中的“写”意识及调性、叙事性中的“微”意识及日常、客观性中的“主”意识及形象。即,在“写”意识中看当代中国油画的本土化进程及当下状态,在“微”意识中看当代视觉文化的零散化特征及凝视现象,在“主”意识中看当下创作者对自我的认知、体验与评价。三者都具有独立的“表情”,也相互联系并互为补充,构成整体的意义网络。此“意义”既在于创作者的意图,也在于观看者的意会。This article discusses,from the perspective of viewers,three"expressions"in the Oil Painting Exhibition of the 14th National Exhibition of Fine Arts:the awareness of"sketching"and tonality in realism,the awareness of"subtlety"and daily life in narrative,and the awareness of"subject"and image in objectivity.That is to understand the localization of oil painting in China and its status quo in the contemporary era with the awareness of"sketching",the fragmentation and gaze phenomenon of contemporary visual culture with the awareness of"subtlety",and the self-concept,experience and evaluation of painters with the awareness of"subject".These three all have their own"expressions",and are also interconnected and complementary to each other,forming an overall network of meaning.This"meaning"lies in both painters'intention and viewers'understanding.

关 键 词：第十四届全国美展 中国油画 写实性 叙事性 客观性 

分 类 号：J213[艺术—美术]