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作 者:万新华 张小坚[2] Wan Xinhua;Zhang Xiaojian(Jiangsu Art Museum;Nanjing Museum)
出 处:《美术》2024年第10期97-105,共9页Art Magazine
摘 要:清嘉庆十二年,阮元庐墓写真留影言志,后邀王学浩、屠倬补松,名曰《雷塘庵主小像》,表达孝思。在后来数十年的流传过程中,《雷塘庵主小像》由于家族、社会、文化等诸多因素,留下了数种摹本,呈现出不同的审美趣味,也反映了阮元生前身后在时人及后人心目中的形象塑造,可视为“阮元接受史”的一部分。In 1807,Ruan Yuan created a portrait of himself titled A portrait of Ruan Yuan at a small hut in mourning beside the grave of his parent,and later invited Wang Xuehao and Tu Zhuo to add a pine to the painting.In the spread of the portrait in the following decades,various copies emerged due to multiple factors related to family,society and culture,and demonstrated different aesthetic tastes.They also reflected the image of Ruan Yuan before and after his death in the mind of his contemporaries and later generations,which can be regarded as part of"the history of Ruan Yuan's acceptance".
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