存在主义视角下《法国中尉的女人》中人物形象的塑造  

On the Characterization of The French Lieutenant's Woman from an Existentialist Perspective

作　　者：贾琳琳 JIA Lin-lin(College of Foreign Languages,Zhongkai University of Agriculture and Engineering,Guangzhou 510225,China)

机构地区：[1]仲恺农业工程学院外国语学院,广东广州510225

出　　处：《唐山师范学院学报》2024年第5期52-55,共4页Journal of Tangshan Normal University

基　　金：广东省哲学社会科学规划项目(GD23WZXC01-18);广东省教育科研项目(高校教育专项)(2023GXJK319)。

摘　　要：影片《法国中尉的女人》一直是存在主义哲学的典型作品,女主人公萨拉在世俗的眼中是男权势力之下的“法国中尉的女人”,而真正的她却是一位自我意识觉醒的新女性,勇敢地追求爱情并引导爱人查尔斯走上了一条觉醒之路。在存在主义的视角下,萨拉做出了几次重要的选择,实现了经济独立和精神的自由,获得了不依附于任何人的人格和爱情。The film The French Lieutenant's Woman has always been a typical work of existentialist philosophy.In the eyes of the secular world,the female protagonist Sarah is seen as The French Lieuten-ant's Woman under the influence of male power,but the true version of her is a self-awareness awakened new woman who bravely pursues love and guides her lover Charles onto a path of awakening.From an ex-istentialist perspective,Sarah made several important choices,achieving economic independence and spirit-ual freedom,and obtaining a personality and love that was not dependent on anyone.

关 键 词：存在主义 《法国中尉的女人》 萨拉 

分 类 号：I561.074[文学—其他各国文学]