秦穆公、子仪燕礼歌诗考论——以清华简六《子仪》为中心  

Study of Banquet Etiquette and Singing Poems in Ziyi of Tsinghua Bamboo Slips

作　　者：梁利栋 LIANG Lidong(College of Chinese Language and Literature,Northwest Normal University,Lanzhou 730070,Gansu,China)

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《咸阳师范学院学报》2024年第5期5-11,共7页Journal of Xianyang Normal University

基　　金：国家社会科学基金重大项目(22&ZD260)。

摘　　要：清华简《子仪》作于公元前621年至公元前613年,包含重要的《诗》类文献,反映了春秋中期秦穆公与子仪燕礼歌诗的情形。将《子仪》所见燕礼歌诗与《礼记》《仪礼》《左传》《国语》等传世文献所载相比较,《子仪》在燕射结合、君燕臣下、作乐歌诗方面与传世文献一致,然所用乐器为琴、銿,歌之形式为《诗经》向楚辞过渡的楚歌,所奏音乐为楚乐,歌者身份为公(秦穆公)和大夫(子仪),均与传世文献有异。Ziyi,written from 621 BC to 613 BC,is an important poetic document,reflecting the banquet etiquette and singing poems of King Mu of Qin and Ziyi in the middle of the Spring and Autumn Period.Compared to Liji,Yili,Zuozhuan and Guoyu,combination of banquet and archery,king en-tertaining minister and playing music and singing songs are the same.Instrument used for piano and Yong,the form of song turning the book of songs to Chuci,singers such as King Mu of Qin and Ziyi are different.

关 键 词：清华简《子仪》 燕礼 歌诗 

分 类 号：I222.7[文学—中国文学]