清末陕西郃阳董常义劝善作品内容及其价值  

TheWorks of Dong Changyi in Heyang,Shaanxi Province at the End of Qing Dynasty Content and Value

作　　者：崔金明[1] 张微 CUI Jinming;ZHANGWei(School of Chinese Studies,Xi’an International Studies University,Xi’an 710128,Shaanxi,China;School of Chinese Language and Literature,Xi’an International Studies University,Xi’an 710128,Shaanxi,China)

机构地区：[1]西安外国语大学汉学院,陕西西安710128 [2]西安外国语大学中文学院,陕西西安710128

出　　处：《咸阳师范学院学报》2024年第5期88-93,共6页Journal of Xianyang Normal University

基　　金：2024年国家语言文字推广基地(西安外国语大学)特色工作项目(24YWZTSS05)。

摘　　要：自20世纪20年代起,善书就受到了国内外学者的广泛关注和深入研究。这些学者从不同的角度,如思想史、宗教史、社会史等对善书进行了探讨和研究,涉及善书的思想内涵、价值观、宗教信仰、社会实践等方面。然时至今日,关于清代陕西善书代表人物董常义的研究尚无展开。通过全面梳理董常义代表作品《荒年歌》和《字不离谱》的版本和内容,不仅肯定了其在劝善教化方面通俗易懂、寓教于乐的积极意义,而且阐述了其作品在历史、文学和语言学上的价值。Since the 1920s,Shanshu has been widely concerned and deeply studied by scholars at home and abroad.These scholars discussed and studied Shanshu from different perspectives,such as ideological history,religious history and social history,involving the ideological connotation,values,religious belief and social practice of Shanshu.However,up to now,there has been no research on Dong Changyi,the representative of Shaanxi Shanshu in the Qing Dynasty.Through a comprehensive review of the versions and contents of Dong Changyi’s representative works,the author not only affirms their popular and easy-to-understand and positive meaning of teaching through entertainment,but also expounds the value of his works in history,literature and linguistics.

关 键 词：董常义 劝善作品 《荒年歌》 《字不离谱》 

分 类 号：I207.37[文学—中国文学]