新乡土叙事的审美现代性书写——以范墩子的短篇小说集《虎面》为例  

The Aesthetic ModernityWriting of New Vernacular Narratives:A Case Study of Fan Dunzi’s Short Story Collection Tiger Face

作　　者：高喜锋[1,2] GAO Xifeng(Faculty of Liberal Arts,Northwest University,Xi’an 710127,Shaanxi,China;College of Humanities and Arts,Xi’an International University,Xi’an 710077,Shaanxi,China)

机构地区：[1]西北大学文学院,陕西西安710127 [2]西安外事学院人文艺术学院,陕西西安710077

出　　处：《咸阳师范学院学报》2024年第5期99-104,共6页Journal of Xianyang Normal University

基　　金：陕西省高校教学改革项目(23BY038)。

摘　　要：90后陕西青年作家范墩子已出版多部小说集、散文集和随笔,作品显示出了强劲的创作势头和深刻的审美内涵。范墩子的写作在小说和散文两大文学体裁中来回穿梭,《虎面》是其小说创作承前启后的重要作品。小说用梦幻变形的手法追寻已逝的童年记忆,用冷静机敏的智慧探求繁华都市背后普通人群的无奈与艰辛,用自然真挚的语言追索生活中的浮光掠影,以自己独特的生命体验彰显着新时代陕西青年作家创作的多元图景。Fan Dunzi,a young writer born in Shaanxi Province after the 90s,has published a number of novels,collections of essays and articles,and his works show a strong creative momentum and profound aesthetic connotation.Fan Dunzi’s writing oscillates between the two major literary genres of fiction and prose,and Tiger Face is an important work of his novelistic creation,using the technique of dreamy transformation to pursue the lost childhood memories,using calm and ingenious wisdom to explore the helplessness and hardships of ordinary people behind the bustling city,and using natural and sincere language to trace the glimpses of life,and enthusiastically highlighting the diverse picture created by young writers in Shaanxi in the new era with his own unique life experience.

关 键 词：范墩子 《虎面》 探索 转折 陕西青年作家 

分 类 号：I206.7[文学—中国文学]