论卡夫卡的饥饿体验与禁食写作  

Kafka's Hunger Experience and Fasting Writing

作　　者：王采玉 Wang Caiyu(School of Chinese Language and Literature,Nanjing Normal University,Nanjing 210023,China)

机构地区：[1]南京师范大学文学院,江苏南京210023

出　　处：《台州学院学报》2024年第5期81-88,共8页Journal of Taizhou University

摘　　要：“饥饿”与“禁食”是弗朗茨·卡夫卡文学创作中的重要主题和常见意象。“饥饿”首先是一种躯体感受,又与相应的外部生活条件息息相关;与此同时,“禁食”则是一种主动行为,往往承载强烈的精神意志。此类感受和意图都被作家以自传式的文学语言表述了出来,在其早期作品《判决》《变形记》以及后期作品《饥饿艺术家》《一条狗的研究》中尤为突出。饥饿作为卡夫卡的强烈的亲身体验、自律的生活方式,是与其突破外部秩序的自我意识、孤独求真的艺术理想交互建构的。卡夫卡关于饥饿与禁食的书写暗示着他与尼采的私密精神联系,两人都选择了某种身心互动的创作方式,以服务于对真理的追求。"Hunger"and"fasting"are important themes and common images in Franz Kafka's liter⁃ary creation."Hunger"is first of all a physical feeling,but also related to the corresponding external conditions of life.At the same time,"fasting"is an active behavior,often carrying a strong spiritual will.These feelings and intentions are expressed in the autobiographical literary language by the au⁃thor,especially in his early works Das Urteil and Die Verwandlung and in his later works Ein Hun⁃gerkünstler and Forschungeneines Hundes.Hunger,as his strong personal experience and self-disciplined way of life,is interactively constructed with his self-consciousness of breaking through the external or⁃der and his artistic ideal of solitude and seeking truth.Kafka's writings on hunger and fasting suggest an intimate spiritual connection between him and Nietzsche,both of whom have chosen to write in a way that is physically and mentally interactive in the service of the quest for truth.

关 键 词：卡夫卡 饥饿体验 禁食写作 艺术自律 

分 类 号：I521.074[文学—其他各国文学]