从中国古文字中探寻视觉设计的激变之源  

Exploring the Source of the Radical Changes in Visual Design from Ancient Chinese Characters

作　　者：岳琳[1] 余洋 YUE Ling;YU Yang

机构地区：[1]吉林艺术学院

出　　处：《丝网印刷》2024年第19期19-21,共3页Screen Printing

基　　金：吉林省产学合作协同育人项目“高校视觉传达设计专业实践基地建设”的研究成果(吉教高[2023]23号)。

摘　　要：中国古文字的物质形态为视觉因素外延既提供了支撑,也提供了思辨的对象。文章以广义的概念理解古文字的设计意识与原则,并通过对古文字元素与重构的解析寻找当代视觉设计激变之源,从而探究以视觉为中心的设计原则,将其作为现代视觉设计的逻辑与构成,将过去文化的特性和力量具象化为设计的路径和方法,是对传统文字的设计解析和重构,也是对古文字现代性的发现和回归。The material form of ancient Chinese characters not only provides support for the extension of visual factors,but also provides the object of speculation.This paper understands the design consciousness and principles of ancient Chinese characters in a broad sense,and seeks the source of the radical changes in contemporary visual design through the analysis of the elements and reconstruction of ancient Chinese characters,so as to explore the visual-centered design principles,take them as the logic and composition of modern visual design,and concretized the characteristics and forces of past culture as the path and method of design.It is the design,analysis and reconstruction of traditional characters and the discovery and return of modernity of ancient characters.

关 键 词：中国古文字 视觉设计 设计原则 

分 类 号：J524[艺术—艺术设计] H121[语言文字—汉语]