元代咏闲图发微——基于画跋文献的考察  

The Subtleties of Leisure-themed Paintings in the Yuan Dynasty:Elucidating from the Postscripts of the Paintings

作　　者：左雯倩 ZUO Wen-qian(School of Art,Southeast University,Nanjing 211102,Jiangsu,China)

机构地区：[1]东南大学艺术学院,江苏南京211102

出　　处：《徐州工程学院学报（社会科学版）》2024年第4期41-46,共6页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：文人咏闲图的创作在元代空前繁盛,图中作为点景人物的幽读文士形象承载了士人们修身洁行的人生志趣。咏闲图中的诗文长跋发挥着延伸画意的文体功能,将其与画作本身进行互读,有助于领略当时文士追求闲隐的普遍心态,体味他们悠游山林、超越物累的人生境界。此外,这些题跋文本也与图画内容共同构筑了闲居意象所包含的审美价值与文化精神。In the Yuan Dynasty,the creation of leisure-themed paintings reached an unprecedented prosperity,and the image of literati reading quietly in the painting carries the aspirations of self-cultivation.The poems and long postscripts in the paintings play the stylistic function of extending the gist of the paintings,and when read in conjunction with the paintings,these inscriptions are helpful to elucidate the general mentality of the literati at that time,and to appreciate their realm of life,which is to wander around the mountains and forests,and to transcend the fatigue caused by material concerns.Furthermore,the inscriptions together with the paintings collectively contribute to the aesthetic value and cultural spirit of the imagery of leisure life.

关 键 词：元代 咏闲图 画跋 文士心态 

分 类 号：J205[艺术—美术]