绘塑融合:北京故宫博物院藏宜兴紫砂本色堆绘装饰初探  

Fusion of Painting and Sculpture: A Preliminary Exploration of Zisha Plain-Color Stacked Painting Decoration in the Palace Museum Collection

作　　者：宁丽娟 顾峥嵘 Ning Lijuan;Gu Zhengrong(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China;Suzhou University,Jiangsu,Suzhou,215123,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403 [2]苏州大学,江苏苏州215123

出　　处：《陶瓷》2024年第10期23-27,共5页Ceramics

摘　　要：北京故宫博物院藏宜兴紫砂器物中的本色堆绘装饰以泥为墨,以笔为媒、由远及近,将平面洗染与浮雕堆塑相融合,既有浅浮雕堆塑的层次感又兼具绘画的生动性,将视觉审美与触觉体验融为一体,在富丽精致的宫廷紫砂中开创了别具一格的装饰面貌。新时期,宜兴紫砂本色堆绘应从装饰题材、装饰工艺入手,古为今用,在提升绘塑融合表现力的同时实现装饰内容的丰富性。The plain-color stacked painting decoration on Zisha ware in the Palace Museum Collection uses mud as ink and a brush as the medium, applying wash painting techniques from far to near, combining flat wash painting with shallow relief sculpture. It not only has the sense of hierarchy of shallow relief sculpture but also the vividness of painting, integrating visual aesthetics with tactile experience. It has created a unique decorative style in the rich and exquisite palace Zisha ware. Influenced by this, contemporary Zisha plain-color stacked painting should start from the decoration themes and decoration techniques, make use of the past for the present, and thus enhance the artistic richness and practical significance of the expression of the fusion of painting and sculpture.

关 键 词：紫砂泥绘 本色堆绘 绘塑融合 

分 类 号：TQ174.74[化学工程—陶瓷工业]