浅论现代陶艺中以“道”为核心的美学思想  

A Brief Discussion on the Aesthetic Thought of Tao as the Core in Modern Ceramic Art

作　　者：胡文怡 Hu Wenyi(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2024年第10期132-135,共4页Ceramics

摘　　要：道家是中国传统文化的三大支柱之一,其美学思想丰富深远,审美风貌高旷飘逸,美学精神悠远玄妙。笔者主要对现代陶艺中以“道”为核心的美学思想进行研究,梳理现代陶艺作品中这一美学思想的表现,阐释现代陶艺蕴含的道家美学思想的价值及意义。Taoism is one of the three pillars of Chinese traditional culture. Its aesthetic thoughts are rich and far-reaching, its aesthetic style is high and elegant, and its aesthetic spirit is distant and mysterious. This paper mainly studies the aesthetic thought with "Tao" as the core in modern ceramic art, sorts out the expression of this aesthetic thought in modern ceramic art, and explains the value and significance of the Taoist aesthetic thought contained in modern ceramic art.

关 键 词：道家美学思想 现代陶艺 创作表现 价值 

分 类 号：TQ174.74[化学工程—陶瓷工业]