浅谈现代陶瓷雕塑中的泥性和釉料的艺术语言  

The Artistic Language of Clay and Glaze in Modern Ceramic Sculpture

作　　者：武小越 Wu Xiaoyue(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2024年第10期144-147,共4页Ceramics

摘　　要：在当代艺术中,艺术家们越来越注重艺术材料的运用,特别是陶瓷材料。笔者将对艺术家对于陶艺的感受和使用技法进行一个概括性的总结。在陶瓷材料的创作中,偶然是一定会存在的。所以陶艺家们会需要反复地进行实验摸索,并且充分利用各种情感去感受泥性,使用实验性的手法打破其中的困局,使其成为个性化的陶瓷材料语言,这需要艺术家去发掘陶瓷材料更多的可能,从而能够准确地表达陶艺作品所蕴藏思想观念与文化内涵,为陶瓷艺术的发展注入新的活力。In contemporary art, artists pay more and more attention to the use of artistic materials, especially ceramic materials. This paper will make a general summary of the artist's feeling and using techniques of pottery. In the creation of ceramic materials, chance is bound to exist. Therefore, ceramists will need to repeatedly experiment and explore, and make full use of various emotions to feel clay, and use experimental methods to break the dilemma and make it become a personalized ceramic material language, which requires artists to explore more possibilities of ceramic materials, so as to accurately express the ideological concepts and cultural connotations contained in ceramic works. Inject new vitality into the development of ceramic art.

关 键 词：陶瓷艺术 陶瓷雕塑 陶瓷材料 

分 类 号：TQ174.74[化学工程—陶瓷工业]