汉晋诗飞鸟与音乐关系的变迁  

Change of the relationship between flying birds and music in the poems of the Han and Jin Dynasties

作　　者：李嘉琦 LI Jiaqi(School of Liberal Arts,Anhui University,Hefei 230039,China)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《镇江高专学报》2024年第4期32-35,共4页Journal of Zhenjiang College

摘　　要：在中国早期古典诗歌中飞鸟和音乐这两个意象往往同时出现。自汉至晋,二者间的关系呈现从紧密至松散的变迁过程。汉代诗歌中有相似的音乐引发化鸟双飞结尾的结构;建安诗歌中音乐、人、飞鸟之间仍有情感联系;晋代除个别拟古诗外,诗中飞鸟和音乐这两个意象间的联系已不再紧密。In early classical Chinese poetry,the imagery of flying birds and music often appeared simultaneously.From the Han Dynasty to the Jin Dynasty,the relationship between the two showed a process of change from tightness to looseness.There is a similar structure in the Han Dynasty poetry where music triggers the dual flight of birds.There are still many emotional connections between music,people,and birds in the Jianan poetry.Except for a few imitations of ancient poetry,the connection between the imagery of flying birds and music in the Jin Dynasty poetry was already very weak.

关 键 词：汉晋时期 诗歌 音乐意象 飞鸟意象 

分 类 号：I207.22[文学—中国文学]