论《地下室手记》的形式与意蕴  

On the form and implication of Notes from Underground

作　　者：陈景芙 CHEN Jingfu(School of Liberal Arts,Jiangsu University,Zhenjiang 212003,China)

机构地区：[1]江苏大学文学院,江苏镇江212003

出　　处：《镇江高专学报》2024年第4期46-49,55,共5页Journal of Zhenjiang College

摘　　要：中篇小说《地下室手记》是陀思妥耶夫斯基创作生涯中的里程碑式作品,小说展现了19世纪俄国平民知识分子善与恶、理性与非理性斗争的精神世界,刻画了他们在理想与现实间徘徊的痛苦与挣扎。改造过的梅尼普体、多声部对话组成的复调结构、陌生化的语言将地下室人的精神困境形象地呈现在读者面前,体现了结构形式与思想内容的融合统一。The novella Notes from Underground is a milestone work in Dostoevskys creative career.The novel portrays the spiritual world of the struggle between good and evil,rationality and irrationality among the civilian intellectuals in Russia in the 19th century,depicting their pain and struggle between ideals and reality.The transformed Mennippean style,polyphonic structure composed of multi-voice dialogues,and defamiliarized language vividly present the spiritual dilemma of underground people to readers,reflecting the integration and unity of structural forms and ideological contents.

关 键 词：《地下室手记》 形式美学 梅尼普体 复调结构 

分 类 号：I106.4[文学—世界文学]