默尔索形象的颠覆与补充:《局外人》中的隐性进程  

The Subversion and Supplement of Meursault's Image:The Covert Progression in The Outsider

作　　者：周章 ZHOU Zhang(Chinese Language and Literature Institute,Xi’an International Studies University,Xi’an Shaanxi 710000,China)

机构地区：[1]西安外国语大学中国语言文学院,陕西西安710000

出　　处：《四川职业技术学院学报》2024年第5期141-146,153,共7页Journal of Sichuan Vocational and Technical College

摘　　要：《局外人》是法国作家加缪的成名作,这本著作诞生伊始,萨特便撰写《局外人〈诠释〉》评论此小说。国内关于《局外人》的研究,主要集中在作品的荒诞感、存在主义体现、人物形象解读、阳光意象等。在这些研究的基础之上,把视野拓展到文本的隐性进程,可以看到其中涌动的叙事暗流,这些叙事暗流,或颠覆、或补充着以往对《局外人》主人公默尔索形象的解读。默尔索面对死亡本质的彻悟、自由的精神追求、极强的自然感知力和对绝望的反抗,这些潜藏的形象特征,通过对文本“隐性进程”发见后,都可加以佐证。The Outsider is a famous work of French writer Camus.When this book was born,Sartre wrote The Outsider to review this novel.Domestic research on The Outsider mainly focuses on the absurdity,the embodiment of existentialism,the interpretation of characters,the image of sunlight and so on.On the basis of these studies,we can expand our vision to the hidden process of the text,and we can see the surging narrative undercurrents in it.These narrative undercurrents either subvert or supplement the previous interpretation of Meursault's image in The Outsider.Meursault's thorough understanding of the nature of death,his spiritual pursuit of freedom,his unique perception of natural color,and his resistance to despair,all of these hidden image characteristics can be proved through the discovery of the"hidden process"of the text.

关 键 词：加缪 《局外人》 默尔索形象 隐性进程 

分 类 号：I106.4[文学—世界文学]