论奥库涅夫文化与三星堆文化的“顶尊人像”  

On the Okunev Culture and the Sanxingdui Culture"Anthropomorphic Statue Holding a Zun Vessel on Top of the Head"

作　　者：王鹏[1] Wang Peng

机构地区：[1]中国社会科学院考古研究所,北京市100710

出　　处：《考古学集刊》2024年第1期98-109,共12页Archaeological Collectanea

基　　金：国家社会科学基金重点项目“青铜时代中国北方与欧亚草原东部地区的文化交流研究”(项目编号:21AKG006)的阶段性成果。

摘　　要：在奥库涅夫文化和三星堆文化当中,无论是“顶尊人像”,还是其他艺术图像,均存在一定的相似之处。二者的相似性不是偶然的,很有可能是由于公元前第三、二千纪之交,在塞伊玛-图尔宾诺式铜器扩散的背景下,以奥库涅夫文化为代表的南西伯利亚诸考古学文化对黄河流域和长江流域同时期的考古学文化产生了重要的影响,奥库涅夫文化艺术通过后石家河文化,在三星堆文化艺术中得到了一定程度的延续。In both the Okunev culture and the Sanxingdui culture,there are certain similarities observed in the"anthropomorphic statue holding a zun vessel on top of the head"as well as other artistic imageries.This resemblance is not coincidental;it is highly likely that,around the transition between the third and second millennium BCE,against the backdrop of the spread of Seima-Turbino style bronze objects,the archaeological cultures of southern Siberia,represented by the Okunev culture,had a significant influence on contemporary archaeological cultures in the Yellow River and Yangtze River basins.The art of the Okunev culture,transmitted through the post-Shijiahe culture,found a certain degree of continuity in the artistic expressions of the Sanxingdui culture.

关 键 词：奥库涅夫文化 三星堆文化 顶尊人像 青铜时代 

分 类 号：K86[历史地理—考古学及博物馆学] G125[历史地理—历史学] J110.9[文化科学]