魏晋南北朝隋唐时期的伏羲女娲图像研究  

Iconographic Study of Fuxi and Niwa during the Wei,Jin,Southern and Northern Dynasties through the Sui and Tang Periods

作　　者：姜伊 Jiang Yi

机构地区：[1]四川大学考古文博学院,成都市610207

出　　处：《考古学集刊》2024年第1期162-181,共20页Archaeological Collectanea

基　　金：国家社科基金重点项目“考古所见魏晋南北朝隋唐时期天文材料的整理与研究”(项目编号:21AKG009)的阶段性成果。

摘　　要：魏晋南北朝隋唐时期墓葬中的伏羲女娲形象,较汉代既有继承也有变化。图像载体可分为壁画、葬具和织物。图像分布经历了自边疆向中原又向边疆扩散的过程。图像具体形态也出现新特征。此时期伏羲女娲图像的各方面均有很强的时空特点,其形成也有特定历史原因。然而图像在遗迹中的位置和组合仍与汉代相接,实际上源自对升仙信仰的延续发扬,而且象征天的意义更强。隋唐以降,随着传统升仙信仰的衰落,伏羲女娲图像也逐渐消失了。During the Wei,Jin,Northern and Southern Dynasties through the Sui and Tang periods,the imagery of Fuxi and Niwa in tombs exhibited both continuity and changes compared to the Han Dynasty.Carriers of these images can be categorized into murals,burial accoutrements,and textiles.The spatial distribution of these images underwent a process of spreading from the border regions to the Central Plains and then back to the border regions.Additionally,new features emerged in the specific forms of these images.The various aspects of Fuxi and Niwa imagery during this period display strong temporal and spatial characteristics,each with specific historical reasons for its formation.However,the positioning and combination of these images within archaeological sites still connect with those of the Han Dynasty,actually originating from the continuation and development of beliefs in ascension to immortality,with a stronger symbolism associated with heaven.Following the decline of traditional beliefs in ascension to immortality from the Sui and Tang Dynasties onwards,the imagery of Fuxi and Niwa gradually faded away.

关 键 词：伏羲 女娲 图像研究 魏晋南北朝时期 隋唐时期 

分 类 号：K871.4[历史地理—考古学及博物馆学] K23[历史地理—历史学] B933[哲学宗教—宗教学]