“生成”哲学视域下卡夫卡《城堡》中的“生成-弱者”  

“Becoming-Powerless”in Kafka’s Castle:A Perspective from the“Generative”Philosophy

作　　者：王微 Wang Wei(School of Foreign Languages,Huazhong University of Science and Technology,Wuhan 430074,China)

机构地区：[1]华中科技大学外国语学院

出　　处：《外国文学研究》2024年第5期165-176,共12页Foreign Literature Studies

基　　金：教育部人文社会科学青年基金项目“德语奇幻文学的类型演变与发展研究”(20YJC752018);湖北省教育厅人文社会科学研究项目“德语奇幻文学的类型演变与发展”(20G008)。

摘　　要：卡夫卡的代表作《城堡》呈现出主题的开放性、文本的分裂性和阐释的无限性。这些特征都可追溯到作品中的“生成-弱者”这一主题上。透过这一主题,人们既能窥探到《城堡》“迷局”的内在核心,又能串联起本体论和认识论上的多维视角,从而呈现出一整套具有系统性的卡夫卡式“生成图景”。以测量员K为核心的生存-弱者的发生过程,生动而透彻地揭示出欲望机器的运作机制,勾画出欲望因子和生命之流如何在多种意义上突破界限、消解二元对立机制,从而找寻到属于自己的逃逸线,并不断进入新的领域、产生新的状态,由此赋予存在不断变化的多元意义。Kafka’s masterpiece,Castle,shows its thematic openness,textual fragmentation,and its interpretative unlimitedness,all of which may be traced back to its theme of“becoming powerless.”Such a theme allows us not only to pry into the inner core of the“puzzle”of Castle,but also to delineate a complete set of systematic Kafkaesque“generative pictures”by linking multidimensional perspectives based on ontological and epistemological concepts.This generative process of becoming powerless with surveyor K as the core reveals,vividly and thoroughly,the working mechanism of the desire machine,outlines how the desire factor and the flow of life break through the boundaries and dissolve the dualistic opposition mechanism in many senses,all for the purpose of finding their own line of flight,constantly entering new fields,producing new states,and thereby giving existence an ever-changing pluralistic meaning.

关 键 词：《城堡》 生成-弱者 欲望机器 逃逸 解辖域化 

分 类 号：I521.074[文学—其他各国文学]