韩愈《诗》学观之承变及其创作实践  

Discussion on Han Yu's Views of Poetry and His Creative Practice

作　　者：方艺融 FANG Yirong(School of Literature Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《商丘职业技术学院学报》2024年第5期43-47,共5页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2023年度国家社科基金重点项目“唐诗总集与唐后乐府诗体观演变研究”(23AZW010)。

摘　　要：韩愈尊重《诗经》的经典地位,不否认《毛诗序》的本事附会,赞同“刺实”“隐文达意”的手法,承继前代《诗》学传统。韩愈的创作实践,大量引《诗》,曲笔刺实,辞讳君上。由于自身良好的诗学修养、戆直性格及拟圣追求的激发,韩愈驳子夏作序、审慎描述孔子“删诗”,其《诗》学观的新变性与中唐时期的疑经思想同频共振。韩愈诗文创作骨相稜嶒,于舒忧娱悲中扶树教道。韩愈《诗》学观及其创作实践兼具承变,有效推动着唐宋《诗经》研究的过渡转型,深刻启发着北宋前期诗歌创作的发展演变。The “acknowledgement” in Hanyu's views of Poetics is manifested as respecting the classical status of The Book of Songs,not denying the farfetched analogies drawn from original stories in Poetic Preface of Mao,and agreeing to “directly express the actual meaning” and “convey meaning through hidden language”.Therefore,he quoted The Book of Songs in his creations,expressing the true situation in a tactful way to inform the monarch.The “changes” in Han Yu's views of Poetics are manifested as his criticism of Zixia's Poetic Preface,and his cautious awareness of the description of “deleting poetry”.The “new changes” in his views of Poetics serve the pursuit of “comparing sages”,which were nurtured by his skeptical thinking,straightforward personality,and official experience.Therefore,in his creations,he paid more attention to “strengthening moral education and cultivating people”,and “alleviating sadness and dispelling sadness”,which had effectively promoted the transition and transformation of the study of The Book of Songs in Tang and Song dynasties,and influenced the changes in the Poetics thinking and creative practice in the early period of the Northern Song Dynasty.

关 键 词：《诗经》学统 韩愈 继承 新变 

分 类 号：I207[文学—中国文学]