论《招魂》中屈原美政理想的文本呈示与具体内涵  

A Research of the Text Presentation and Specific Connotation of Qu Yuan's Political Ideal in Chinese Poetry as Soul Summoning

作　　者：马志垚 MA Zhiyao(The Party School of the CPC Luoyang Municipal Committee,Luoyang 471027,China)

机构地区：[1]中共洛阳市委党校,河南洛阳471027

出　　处：《商丘职业技术学院学报》2024年第5期48-54,共7页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2024年度河南省民办教育协会调研项目“新文科视阈下郑州升达经贸管理学院汉语言文学专业助力打造地方名牌民办高校路径探究”(HNMXL20241336)。

摘　　要：屈原对其始终坚持的美政理想的细节描绘,鲜见于《离骚》《天问》《哀郢》诸篇,却在《招魂》中得以呈示。表面看来,招辞外陈险怪,内述荒淫,远乖《雅》《颂》,异乎经典。实际上,屈原在招辞之地方名产的刻画中,凝聚了与楚国当前国势及屈原过往家世相匹合的对强国的至高追求,同时在招辞之宴饮场景的描写中,寄托了与《雅》诗称颂宴饮之作近似的对和乐的热切希冀。强国与和乐,一外一内,构成了屈原美政理想的两大支柱。Qu Yuan's detailed description of his political ideal that he has always upheld is rarely found in On Encountering Sorrow,Tian Wen,and Mourning the Lost Capital,but is presented in Chinese Poetry as Soul Summoning.The soul summoning songs seemingly presented dangerous monsters on the outside and described lewdness on the inside,but Chinese Poetry as Soul Summoning is a far cry from The Court Hymn and The Eulogy,and is different from the classics.In fact,Qu Yuan's portrayal of the famous local specialties in Chinese Poetry as Soul Summoning embodied his supreme pursuit for a powerful country that matched the then-current situation of Chu and Qu Yuan's parentage,while the depiction of the feast scenes in the Chinese Poetry as Soul Summoning conveyed his fervent hope for harmony and happiness that is similar to the praise of the feasts in The Court Hymn.Making the country powerful and realizing peace and happiness are two internal and external pillars of Qu Yuan's political ideal.

关 键 词：屈原 《招魂》 美政理想 《雅》诗 

分 类 号：I206.2[文学—中国文学]