The Rediscovery of“Evocation”(Xing)and the Rise of“Poems Based on Evocation with Miscellaneous Themes”(Za-Xing)in the Resurgence Era of Southern Song Dynasty  

作　　者：CHENG Wei 

机构地区：[1]School of Liberal Arts and Chinese Poetry Research Center,Anhui Normal University,Wuhu 241002,China

出　　处：《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》2024年第3期336-352,共17页中国高等学校学术文摘·文学研究（英文版）

基　　金：research project "Study on the Category of Rhapsodies"(21FZWB101)funded by the National Social Science Fund of China;Anhui Provincial Social Science Planning Project "The Discussion Tradition of Pre-Tang Poetry"(AHSKHQ2020D09).

摘　　要：The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation with miscellaneous themes emerged in the the resurgence era of Southern Song Dynasty.This phenomenon was not only influenced by new ideas in poetics and the studies of Confucian classics in the Southern Song Dynasty but also directly stemmed from the resistance against the poetic system represented by the Jiangxi poetry school.The group poems based on evocation with miscellaneous themes of poets such as Lu You,Yang Wanli,and Fan Chengda exhibit a tendency opposite to the Jiangxi poetic style in terms of their overall characteristics.The rise of evocation with miscellaneous themes poems in the poetic circle of the the resurgence era of Southern Song Dynasty holds significant importance in the history of Song poetry.It represents a rebellious and rule-breaking force that fundamentally protests against the various rules and boundaries established by Song poetics,marking a revolution in the norms of Song poetry.

关 键 词：the resurgence era of Southern Song Dynasty poems based on evocation with miscellaneous themes origin meaning 

分 类 号：I206[文学—中国文学]