清代音乐赋的留存状况及文献价值  

The Preservation Status and Literature Value of Qing Dynasty Music Fu

作　　者：侯立兵[1] 郑云彩[2] HOU Li-bing;ZHENG Yun-cai(School of Literature,Guangdong Second Normal University,Guangzhou Guangdong,510303;Guangdong Baiyun University Library,Guangzhou Guangdong,510303)

机构地区：[1]广东第二师范学院文学院,广东广州510303 [2]广东白云学院图书馆,广东广州510303

出　　处：《山西大同大学学报（社会科学版）》2024年第5期75-80,共6页Journal of Shanxi Datong University(Social Science Edition)

基　　金：广东省哲学社会科学“十三五”规划2020年度学科共建项目“历代音乐赋文献整理与研究”(GD20XZW03)。

摘　　要：清代音乐赋文献亟待系统整理,经过初步梳理辑目,共有589篇。按题材可分为乐器赋、乐曲赋、乐事赋、乐论赋、舞蹈赋五类,其中乐器赋数量最多,有357篇。在体裁形式上以律赋为主。清代音乐赋兼具文学价值和音乐价值。与此同时,它还融汇了乐教合一、审音听政、律历融通等综合文化理念。The literature on Music Fu in the Qing Dynasty urgently needs to be systematically organized.After preliminary sort-ing and compilation,there are a total of 589 pieces.According to the theme,it can be divided into five categories:Instrumental Fu,Musical Compositionl Fu,Musical Story Fu,Musical Discourse Fu,and Dance fu.Among them,Instrumental Fu has the largest num-ber,with 357 pieces.In terms of genre and form,it is mainly based on regulated Fu.The music fu of the Qing Dynasty has both liter-ary and musical value.At the same time,it also integrates comprehensive cultural concepts such as integrating music and education,listening to music and politics,and integrating music and calendar.

关 键 词：音乐赋 清代 留存状况 文献特征 文献价值 

分 类 号：I207.224[文学—中国文学]