为先,为鲜,为“仙”——关于《冬虫·夏草》与其中筝乐的三个话题  

For the First,Fresh,"Fairy":On Cordyceps Sinensis and the Three Topics of Zheng Music

作　　者：赵鲁琴[1] Zhao Luqin

机构地区：[1]沈阳音乐学院附属中等音乐学校

出　　处：《乐府新声（沈阳音乐学院学报）》2024年第3期137-142,共6页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：《冬虫·夏草》是青年作曲家方岽清创作于2014年末的室内乐作品,由香港国际箜篌协会和中央音乐学院联合委约,首演于中央音乐学院“第二届弹拨音乐节新作品音乐会”,首演古筝演奏者为青年演奏家苏畅。在作品中,古筝是当之无愧的主角,而作曲家在其中赋予筝乐作品的意识表现、音响创构和审美追求,是以传统民族乐器书写当代新篇的一抹重彩。作品从“冬虫夏草”这一东方意象出发,将题材上的典型性与音乐素材上的多元性相结合,以开创性的表现形式,将当代中国音乐独特的美感呈上世界音乐的舞台,打造了独树一帜的“养生音乐”,高水准地达成了东西方音乐观众的审美期待。Cordyceps Sinensis is a chamber music composed by young composer Fang Dongqing at the end of 2014.Jointly commissioned by the International Kong Hou Association and the Central Conservatory of Music,this music was premiered at the"New Works Concert of the Second Plucked Music Festival"at the Central Conservatory of Music and the young performer Su Chang played the Guzheng.In this music,the Guzheng is undoubtedly the protagonist,and the Composer imbued the Guzheng music with a conscious expression,sound creation,and aesthetic pursuit,which is highlight for writing contemporary new chapter with traditional ethnic instruments.This music starts from the Eastern imagery of"Cordyceps Sinensis",combines the typicality of the subject matter with the diversity of musical materials,uses a pioneering form of expression,presents the unique beauty of contemporary"Chinese music"on the stage of"world music",creates a unique"health music"and realizes the aesthetic expectations of both Eastern and Western music audiences at a high level.

关 键 词：《冬虫·夏草》 古筝 筝乐 

分 类 号：J632[艺术—音乐]