洪亮吉的诗歌“代降”论  

Hong Liangji's Poem"Daijiang"Theory

作　　者：王天骄 WANG Tian-jiao(School of Chinese Language and Literature,Minnan Normal University,Zhangzhou,Fujian 363000,China)

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《湖北职业技术学院学报》2024年第4期53-57,共5页Journal of Hubei Polytechnic Institute

摘　　要：洪亮吉认为诗歌创作观念与赋比兴传统发生偏离,诗歌创作每况愈下。由此,洪亮吉积极反驳性灵派的盲目追新,其诗歌“代降”论的形成基于对性灵派平俗诗风的不满,同时与乾嘉时期朴学的复古思潮及学者的经世致用思想有密切关系。洪亮吉诗歌“代降”论呼唤《诗经》确立的诗歌传统回归,有救弊时代诗坛的意义。Hong Liangji put forward"Daijiang"theory of poetry,which is unique in the Qianjia poetry circle.Hong Liangji believes that the concept of poetry creation has deviated from the tradition of Fu Bixing and poetry creation has deteriorated.Therefore,Hong Liangji actively refuted the blind pursuit of the new by the Soul School and the formation of"Daijiang"theory of poetry was based on his dissatisfaction with the ordinary poetic style of the sexual spiritualists and at the same time it was closely related to the retro trend of Puxue in the Qianjia period and the scholars'practical thoughts."Daijiang"theory of Hong Liangji's poetry calls for the return of the poetry tradition established in The Book of Songs,which had the significance of saving the poetry circle at that time.

关 键 词：洪亮吉 代降 诗论 

分 类 号：I207.22[文学—中国文学]