礼乐制度与《周南·桃夭》篇的文化意蕴  

The System of Rites and Music and the Cultural Implication of Zhou Nan·Tao Yao

作　　者：徐群 姚小鸥 XU-Qun;YAO Xiao-ou(School of Chinese Language and Literature,Liaocheng University,Liaocheng 252000,China)

机构地区：[1]聊城大学文学院,山东聊城252000

出　　处：《汉江师范学院学报》2024年第5期30-34,共5页Journal of Hanjiang Normal University

基　　金：教育部人文社科重点研究基地重大项目“《清华大学藏战国竹简》《诗经》类文献综合研究”(项目编号:14JJD75001)。

摘　　要：《周南·桃夭》是《诗经》中的著名篇章,从礼乐制度的角度解读该诗,可以对先秦时代的审美标准、道德观念及人们的行为规范有进一步的认识,真正理解《诗经》的诗教价值和礼教意义。《周南·桃夭》反映了周人美善并臻的审美观、希冀家庭幸福美满的婚姻观以及期盼家族子孙蕃盛的子嗣观。这些观念的形成与当时社会的礼乐文化背景密不可分,值得认真探讨。Zhou Nan Tao Yao is a famous chapter in The Book of Songs.From the perspective of ritual and music system,we can have a further understanding of the aesthetic standards,moral concepts and people's behavior norms in the pre-Qin era,and understand the value of poetry and etiquette in The Book of Songs.Zhou Nan Tao Yao reflects the Zhou people's aesthetic sense of beauty and perfection,the view of marriage hoping for a happy family and the view of children and heirs looking forward to the prosperity of the family.The formation of these ideas is closely related to the cultural background of rites and music in the society at that time,which is worthy of deep study.

关 键 词：诗经 桃夭 礼乐制度 审美观 婚姻观 子嗣观 

分 类 号：I207.22[文学—中国文学]