空间、身体与抒情——论物感说的理论生成  

Space,Body,and Lyric:Theoretical Generation about the Theory of Emotional Object Perception

作　　者：秦勇 QIN-Yong(School of Chinese Language and Literature,Henan University,Kaifeng 475000,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《汉江师范学院学报》2024年第5期41-47,共7页Journal of Hanjiang Normal University

基　　金：2022年度河南省教育科学规划一般项目“新文科视域下高校‘文学概论’课程教学研究”(项目编号:2022YB0026)。

摘　　要：物感说作为概括中国古代文学心物关系的理论,为中国古代抒情文学提供了坚实的理论基础。以“空间”考察,物感说的“物”是整体的物构成的空间,具有“动人”的特征,先秦诸子“格物致知”的世界观照方式为其提供了理论指导;以“身体”考察,物感过程是“动态”身体的摄入与感受,“游”是物感中身体的巅峰审美状态;以“抒情”考察,物感说细化了文学中的物我对应关系,使得“情”与“物”结合起来,形成了抒情的基础理论。以空间、身体与抒情为关键词探讨物感说,一方面梳理形成脉络并把握内涵,另一方面也是试图以当下美学热词分析经典,重构经典,建构具有当今中国特色的学术话语体系。The theory of emotional object perception,as a summary of the relationship between mind and object in ancient Chinese literature,provides a solid theory for Chinese lyrical literature.From the perspective of"space",the concept of"object"in the theory of emotional object perception turn into a composed space object,which has the characteristic of motivate,the world view of the pre-Qin philosopher"observation things to gain knowledge"provided theoretical guidance for it.From the perspective of"body",the process of emotional object perception is intake a"dynamic"body,"you"(游)is the peak aesthetic state of the body in emotional object perception.From the perspective of"lyric",the theory of emotional object perception has refined the correspondence between object and subject in literature,combining the concept of emotion and object,establish the fundamental theory of lyric.Exploring the theory of emotional object perception with the keywords of space,body,and lyric,on the one hand,it sorts out the formation of the context and grasps the connotation,on the other hand,it attempts to analyze the classic with current aesthetic hot words,reconstruct the classic and construct academic discourse system with Chinese contemporary characteristic.

关 键 词：空间 身体 抒情 物感说 

分 类 号：I206[文学—中国文学]