电影的“本来”与“未来”:再论巴赞电影“本体论”  

The“Origin”and“Future”of Film:On Bazin's“Ontology”

作　　者：史鑫涛 SHI Xin-tao(School of Chinese Language and Literature,Hanjiang Normal University,Shiyan 442000,China)

机构地区：[1]汉江师范学院文学院,湖北十堰442000

出　　处：《汉江师范学院学报》2024年第5期48-54,共7页Journal of Hanjiang Normal University

摘　　要：“电影是什么”是巴赞电影本体论的核心问题,摄影影像是“电影—存在”的前电影形态,以空间真实性为核心的电影真实性是“电影—存在”的必要前提,“完整电影”是“电影—存在”的未来想象。巴赞的本体论思考贯穿了“电影—存在”的过去、现在和未来,其提出的一些假设与论断和21世纪数字影像、数字电影的发展状况相当吻合,其电影理论和思考远未破产,在当下依旧能带来启示和思考。"What is film"constitutes the core issue of Bazin's film ontology.The photographic image serves as the pre-film form of"film-existence",and the authenticity of the film with spatial authenticity at its core is the necessary prerequisite for"film-existence"."Full film"represents the future imagination of"film-existence".Bazin's ontological thinking permeates the past,present,and future of"cinema-existence",and some of his assumptions and conclusions are highly consistent with the development of digital images and digital movies in the 21 st century.His film theory and thinking are far from obsolete and can still bring enlightenment and reflection in the present.

关 键 词：本体论 摄影影像 真实性 完整电影 数字影像 

分 类 号：J902[艺术—电影电视艺术]