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作 者:李莉[1] LI Li(Department of Exhibition Planning,Puppet Palace Museum,Changchun,Jilin,130051,China)
机构地区:[1]伪满皇宫博物院展览策划部,吉林长春130051
出 处:《史学集刊》2024年第6期78-85,共8页Collected Papers of History Studies
摘 要:中国北方满-通古斯语族与汉族的古代神话所反映的价值观分别以萨满文化和儒释道文化为核心,其内涵相异而理念日益趋同;二者的古代行为方式分别体现为以“知耻和感性”为基础的类似“酒神型”文化样态及以“天人合一”为基础的类似“日神型”文化样态,其样式相异而态势日益趋同。相异性根植于地理条件及经济基础的差异,趋同性根植于数千年政治、经济、文化的交融互渗。满-通古斯语族文化与汉族文化分属于萨满文化圈和汉文化圈,基于二者持续的良性互动,萨满文化因汉文化的不断叠压实现与汉文化的交融,促进了中华民族文化模式多元一体的孕育。The values reflected in the ancient mythologies of the Manchu-Tungus in northern China and Han nationality are centered on shamanic culture and Confucian,Buddhist,and Taoist cultures respectively,with different connotations but increasingly converging ideas.The ancient behavior patterns of the two are embodied in something like culture of“God of Wine”based on“recognizing shame and sensibility”and something like the“Sun-god”culture based on“unity of heaven and human”respectively.Their patterns are different but their trends are increasingly converging.The divergence is rooted in the differences of geographical conditions and economic bases,while the convergence is rooted in the integration of politics,economy and culture over thousands of years.Manchurian Tungusic culture and Han culture belong to Shamanic culture circle and Han culture circle respectively.Based on the continuous positive interaction between the two,Shamanic culture blends with Han culture due to the continuous superimposed pressure of the latter,which promotes the nurturing of the diversified and integrated Chinese nation’s cultural model.
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