赖声川《镜花水月》:复仇叙事、生命关怀与家乡寻根  

Stan Lai's Flower in the Mirror,Moon in the Water:Revenge Narration,Life Care,and Root-seeking in Hometown

作　　者：胡明华[1] HU Minghua(College of Liberal Arts,Qufu Normal University,Qufu 273165,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《赣南师范大学学报》2024年第5期130-135,共6页Journal of Gannan Normal University

摘　　要：《镜花水月》是赖声川取材于家乡会昌,为会昌创作的戏剧。戏剧在复仇叙事的框架内呈现了一个家族三代女性的生命故事。该剧延续了赖声川以往戏剧创作的特点及风格,比如佛禅思想的基础,对现代人的生命和心灵关怀,多层次的叙事手法和注重空间利用的剧场设计等;但是也有新的元素呈现,包括会昌人文地理空间的艺术处理与家乡寻根意识。继上海、乌镇之后,会昌成为又一个为赖声川提供重要素材和创作灵感的地域空间。Flower in the Mirror,Moon in the Water is one play created by Stan Lai,it was based on his hometown of Huichang.The play presents the life story of three generations of women in a family within the narrative framework of revenge.The play continues some of the characteristics and styles of Stan Lai's previous theatrical creations,such as the foundation of Buddhist and Zen thought,concerning modern people's lives and souls,multi-level narrative techniques,and theater design that emphasizes spatial utilization.However,there are also new elements,including the artistic treatment of Huichang's humanistic geographical space and the awareness of Family root seeking.Following Shanghai and Wuzhen,Huichang becomes another regional space that provides important materials and creative inspiration for Stan Lai's theatrical creation.

关 键 词：《镜花水月》 复仇叙事 生命关怀 家乡寻根 

分 类 号：J824[艺术—戏剧戏曲]