人类完形心理作用下的汉字形体演变及汉字构形分析  

The Evolution of Chinese Character Forms and Analysis of Chinese CharacterFormation under the Influence of Human Gestalt Psychology

作　　者：王业奇[1] 马遂莲[2] WANG Yeqi;MA Suilian(School of International Education,Tianjin University,Tianjin 300072,China;Tianjin Normal University Jingu College,Tianjin 300083,China)

机构地区：[1]天津大学国际教育学院,天津300072 [2]天津师范大学津沽学院,天津300083

出　　处：《中州大学学报》2024年第5期87-91,共5页Journal of Zhongzhou University

基　　金：2021年度教育部中外语言交流合作中心一般项目“基于完形心理学和构形理论的初级汉字教材编写研究”(YHJC21YB-018)。

摘　　要：汉字形体始终都在人们的完形心理作用下沿着两个维度发展:第一,平衡汉字部分与整体之间的关系;第二,单个汉字构形与汉字构形体系之间的协调统一。在“完形压强”的作用下,汉字发展历经了简化和繁化的发展路径,两种路径看似互相矛盾,事实上二者都是人类完形心理作用下汉字体系朝着简约合宜方向发展的体现。为了进一步讨论人类完形压强对汉字笔画增减的作用,本文还着重讨论了“凵”在汉字构形中笔画的增减。The shape of Chinese characters has always evolved under the influence of human Gestalt psychology along two dimensions:First,balance the relationship between the parts and the whole of Chinese characters;Second,coordinate and unify the configuration of individual Chinese characters with the configuration system of Chinese characters.Driven by the Gestalt pressure,the development of Chinese characters has undergone simplification and complication,two seemingly contradictory paths that are,in fact,manifestations of the Chinese character system moving towards a simpler and more appropriate direction under the influence of human Gestalt psychology.To further discuss the role of human Gestalt pressure in the increase or decrease of strokes in Chinese characters,this paper also focuses on the changes in the number of strokes of“凵”in the configuration of Chinese characters.

关 键 词：格式塔 完形心理 汉字形体 构形 

分 类 号：H123[语言文字—汉语]