小泉八云《怪谈》中的多文化思想  

Multicultural Thoughts in Patrick Lafcadio Hearn's Kwaidan

作　　者：马文瑞 MA Wenrui(College of Chinese Language and Literature,Anhui Sanlian University,Hefei Anhui,230601,China)

机构地区：[1]安徽三联学院文学部,安徽合肥230601

出　　处：《文化创新比较研究》2024年第26期10-13,共4页Comparative Study of Cultural Innovation

基　　金：2022年安徽三联学院校级科研项目“中外语言文学人文社科一般项目——多文化共生理论视域下小泉八云作品研究”(项目编号:SKYB2023001)。

摘　　要：小泉八云(1850—1904年)原名帕特里克·拉夫卡迪奥·赫恩(Patrick Lafcadio Hearn),是日本明治时期一位重要作家,被誉为“西方的代言人”和“东方的诠释者”。他具有跨文化的背景,一生经历了多重身份的转变,年少时于欧洲接受专业的西方教育,成年后前往美国从事新闻记者、编辑等工作,后成为第一位归化日本的西洋人。他所创作的再话文学作品《怪谈》因取材于《古今著聞集》《夜窗鬼談》《新撰百物语》等多部日本传统文学经典,被誉为日本灵异文学鼻祖。该文以《怪谈》为研究对象,结合小泉八云的个人经历,从女性人物形象的塑造、中华文化元素的汲取、东方美学意境的呈现三方面探索作品中的多文化思想。Yakumo koizumi(1850-1904),originally named Patrick Lafcadio Hearn,was an important writer during Japan's Meiji period and is regarded as the"spokesperson of the West"and the"interpreter of the East".His life was marked by a cross-cultural background and the transformation of multiple identities.As a youth,he received formal religious education in Europe,and as an adult,he moved to the United States,where he worked as a journalist and editor.Later,he became the first Westerner to be naturalized in Japan.His literary work Kwaidan,which draws inspiration from various Japanese classical literary works such as"Kokon chomon ju","Yasokidan",and"Shinsenhyakumonogatari",is considered a pioneering work in Japan's supernatural literature.This article takes Kwaidan as its subject of study and,in conjunction with Lafcadio Hearn's personal experiences,explores the multicultural thoughts within the work from three perspectives:the portrayal of female characters,the incorporation of elements of Chinese culture,and the presentation of Eastern aesthetic realms.

关 键 词：小泉八云 《怪谈》 女性人物形象 中华文化元素 东方美学意境 多文化思想 

分 类 号：I313.074[文学—其他各国文学]