龟兹石窟壁画中的“和合”设计  

"Hehe"design in the murals of the Kucha Grottoes

作　　者：娜仁 娄琳 马纯 蒋筱筱 NA Ren;LOU Lin;MA Chun;JIANG Xiaoxiao

机构地区：[1]浙江理工大学服装学院 [2]巴音郭楞职业技术学院纺织服装学院 [3]浙江省丝绸与时尚文化研究中心 [4]丝绸文化传承与产品设计数字化技术文化和旅游部重点实验室 [5]浙江省德清县职业中等专业学校

出　　处：《时尚设计与工程》2024年第5期64-66,共3页The Journal of Fashion Design and Engineering

基　　金：2023年度浙江省大学生科技创新活动计划(新苗人才计划)项目《以盘扣为文化标识的旗袍时尚设计与推广实践》。

摘　　要：龟兹地处丝绸之路交通要道,特殊的地理位置赋予其多元“和合”文化特征。龟兹石窟壁画历经多元文化融合,是中国传统“和合”文化中“和实生物”和“和而不同”内涵的体现。通过壁画中具有希腊、印度、中原等特征的元素表面层、表现层和融合层3个层面演变,来探讨“和合”理念与设计的融合方法。并提出以“和合”理念思考问题,有助于推动设计创新,也是传承和发展中国优秀传统文化的时代需求。Qiuci is located on a transportation hub of the Silk Road,and its unique geographical location endows it with diverse"Hehe"cultural characteristics.The murals in Qiuci Grottoes have experienced the integration of multiple cultures,which is the embodiment of the connotation of"harmony in reality"and"harmony but difference"in the traditional Chinese culture of"Hehe".The fusion method of"harmony"concept and design were discussed through the evolution of surface layer,expression layer and fusion layer of elements with characteristics of Greece,India and Central Plains in fresco.It is pointed out that thinking with the concept of"harmony"is helpful to promote design innovation,and is also the requirement of The Times to inherit and develop the excellent traditional culture of China.

关 键 词：“和合”文化 龟兹石窟壁画 创新 纹样设计 

分 类 号：K87[历史地理—考古学及博物馆学]