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作 者:李良成 LI Liang-cheng(School of Literature,Shandong University,Jinan,Shandong 250100)
出 处:《汕头大学学报(人文社会科学版)》2024年第2期29-45,94,95,共19页Journal of Shantou University(Humanities and Social Sciences Edition)
摘 要:陈栩(1879—1940),字栩园,号蝶仙,别署天虚我生,是鸳鸯蝴蝶派重要的代表作家。据《栩园丛稿·集外书目》,陈栩曾写有《泪珠缘》《黄金祟》《他之小史》等百种小说,但学界对其关注并不多。郭延礼的《中国近代文学发展史》和范伯群的《礼拜六的蝴蝶梦》,对陈栩的介绍均一笔带过,而韩南《中国近代小说的兴起》以其“自传性爱情故事”,称赞他为“最杰出的中国作家之一”。这样著作等身的作家,十分值得深入研究。目前陈栩的作品集尚未系统整理出版,其年谱的编纂则具有重要的资料价值。Chen Xu(1879-1940),with the courtesy name Xu yuan and the nickname Living a lifetime in vain,was an important representative writer of the Mandarin Duck and Butterfly School.According to“Xu Yuan Cong Manuscripts:Extracurricular Bibliography”,Chen Xu has written hundreds of novels,including“Teardrop Fate”,“Golden Sneak”,and“His Brief History”,but the academic community has not paid much attention to Chen Xu.Guo Yanli’s“History of Modern Chinese Literature Development”and Fan Boqun’s“Saturday’s Butterfly Dream”both introduced Chen Xu,while Han Nan’s“The Rise of Modern Chinese Novels”praised him as“one of the most outstanding Chinese writers”for his autobiographical love stories.A writer who writes like this is highly worthy of in-depth research.At present,Chen Xu's collection of works has not been systematically organized and published,and the compilation of his chronicle has important information value.
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