论《秦腔》中的文学景观及其转化  

On Literary Landscape and Its Transformation in Qin Opera

作　　者：靳转玉 费团结[1] JIN Zhuan-yu;FEI Tuan-jie(School of Chinese Languge and Literature,Shaanxi University of Technology,Hanzhong 723000,Shaanxi)

机构地区：[1]陕西理工大学人文学院,陕西汉中723000

出　　处：《商洛学院学报》2024年第5期16-20,共5页Journal of Shangluo University

摘　　要：文学地理学中的文学景观概念提供了文学解读的新视角。贾平凹对故乡棣花镇的书写,使其实现了从实体景观向虚拟景观清风街的转换。《秦腔》产生的影响又使虚拟景观清风街复现于现实,成为旅游景点。现实景观与文学景观的良性互动既带动地方经济发展,又进一步彰显了文学的现实意义与价值。The concept of literary landscape in literary geography provides a new perspective for literary interpretation.Jia Pingwa transformed his hometown Dihua Town from physical landscape to virtual landscape Qingfeng Street by writing about it.The influence of Qin Opera makes the virtual landscape Qingfeng Street reappear in reality and become a tourist attraction or substantive literary landscape.The benign interaction between realistic landscape and literary landscape not only promotes the development of local economy,but also makes literature have practical significance and value.

关 键 词：《秦腔》 贾平凹 文学景观 棣花镇 清风街 现实景观 

分 类 号：I207.425[文学—中国文学]