都纲与转经廊的嬗变——以丽江地区藏传佛寺大殿空间为例  

The Evolution of Dugang and Circumambulatory Corridor:A Case Study of the Main Assembly Hall Space in Tibetan Buddhist Temples in the Lijiang Region

作　　者：魏鹏丞 毛志睿 Wei Pengcheng;Mao Zhirui

机构地区：[1]昆明理工大学建筑与城市规划学院

出　　处：《华中建筑》2024年第11期176-180,共5页Huazhong Architecture

基　　金：国家自然科学基金资助项目“云南明清古建技艺特征及其文化关联性研究”(编号:52078242)。

摘　　要：丽江地区藏传佛寺大殿为噶玛噶举派少有的汉式重檐歇山楼阁殿堂建筑。通过对建筑空间的类型学研究,揭示了甘青、蒙古等地区的藏传佛寺建筑特征已延续至丽江,表现为经堂与佛堂的纵向融合,从而将经堂的“都纲法式”与佛堂的转经廊道折叠到单一建筑中,转译成为新的向心空间。同时,大殿建筑技术受汉、纳西、白族以及河西地区匠人技艺影响,建筑装饰也纳入汉传佛教、道教、本土宗教纹样,最后呈现出多民族、地区、宗教融合的藏传佛寺大殿样式。The main assembly hall of the Tibetan Buddhist temple in the Lijiang area is a rare example of Han-style double-eaved,hiproofed pavilion architecture belonging to the Karma Kagyu sect.Through a typological study of the architectural space,it is revealed that the architectural features of Tibetan Buddhist temples from regions such as Gansu,Qinghai,and Mongolia have extended to Lijiang.It is manifested in the longitudinal integration of the assembly hall and the Buddha hall,thereby incorporating the"Dugang style"of the assembly hall and the circumambulatory corridor of the Buddha hall into a single building,transforming it into a new centripetal space.Additionally,the construction techniques of the main assembly hall were influenced by the craftsmanship of the Han,Naxi,Bai,and Hexi regions.The architectural decorations also incorporated patterns from Chinese Buddhism,Taoism,and local religions,ultimately presenting a style of Tibetan Buddhist main assembly hall architecture that reflects the fusion of multiple ethnicities,regions,and religions.

关 键 词：丽江建筑 藏传佛教寺院 都纲空间 转经廊道 

分 类 号：TU-098.9[建筑科学—建筑理论]