“山药蛋派”文学发端管窥:晋绥五作家的战斗纪事  

On the Origin of the“Yam Egg Pie”Literature:A Chronicle of the Battle of Five Writers in Jinsui

作　　者：李慧 LI Hui(Social Science Division,Dezhou University,Dezhou Shandong 253023,China)

机构地区：[1]德州学院社科处,山东德州253023

出　　处：《德州学院学报》2024年第5期77-82,共6页Journal of Dezhou University

基　　金：山东省社科联2024年度人文社会科学课题“‘十七年’文学流派形成问题研究——以‘山药蛋派’为中心”(24BWS165);山东省艺术科学重点课题“‘山药蛋派’的形成机制与美学问题研究”(L2024Z05100277);德州学院科学研究基金项目“‘山药蛋派’形成与文艺‘人民性’问题研究”(2024xjrc165)。

摘　　要：晋绥五作家是“山药蛋派”的重要成员,他们作为一个作家群的形成与他们立足于晋西北对敌斗争的文学实践同步,在抗战烽火中的战斗纪事是其文学创作的起点,也是“山药蛋派”文学发端的一部分。这种战斗纪事表达了晋绥五作家的自我认同和自我期许,体现出一种忠诚于革命经历和革命战友的写作伦理。以赵树理的小说写法和读者意识为参照,可见当时晋绥五作家受到“五四”新文学制约的写作方式。The five writers of Jinsui are important members of the“yam egg pie”.Their formation as a group of writers is synchronized with their literary practice based on the struggle against the enemy in northwest Shanxi.Their battle records in the war of the Anti-Japanese War are the starting point of their literary creation,and also a part of the origin of“yam egg pie”literature.This kind of battle chronicle expresses the author’s self-identification and self-expectation,and reflects a kind of writing ethics that is loyal to revolutionary experience and revolutionary comrades-in-arms.Taking novel writing of Zhao Shuli’s style and readers’consciousness as a reference,it can be seen that the five writers in Jinsui were restricted by the“May Fourth Movement”new literature.

关 键 词：“山药蛋派” 晋绥五作家 战斗纪事 

分 类 号：I207[文学—中国文学]