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作 者:王鹏程 纪伟 WANG Pengcheng;JI Wei(School of Urban Art,TCU,Tianjin 300384,China)
出 处:《天津城建大学学报》2024年第6期453-458,共6页Journal of Tianjin Chengjian University
摘 要:《红楼梦》和《园冶》两部经典著作,一部是文学史上的高峰,一部是设计造园史的巨构,它们的造园美学观念和营造的美学意境殊途同归,互相映证,架构了比较清晰的传统园林空间美学,值得我们去深入挖掘和研究.本文以《园冶》中的思想为理论支撑,从美学的角度出发,对《红楼梦》中的大观园进行解析,不仅可以对中国古典园林设计内涵做到扩展性研究,还能给现代园林景观设计在精神文化层面上提供相应的美学参考.同时,将设计美学、园林艺术和传统文化进行一种跨越界限的拓展性融合,以一个全新的视角去审视其中的设计美学思想和应用价值,也可以在传承的同时不断地升华创新.The two classic works,A Dream of Red Mansions and Yuanye,are the peak in the history of literature and the grand structure of the history of garden design.Their garden aesthetic concepts and the aesthetic artistic conception they create come to the same end in different ways,reflect each other,and construct a relatively clear traditional garden space aesthetics,which is worthy of our in-depth exploration and research.Based on the ideas in Yuanye and from the perspective of aesthetics,this paper analyzes the Grand View Garden in A Dream of Red Mansions,which can not only expand the connotation of Chinese classical garden design,but also provide corresponding aesthetic reference for modern garden landscape design at the spiritual and cultural level.At the same time,the design aesthetics,garden art and traditional culture will be expanded and integrated across boundaries,and the design aesthetic ideas and application values will be examined from a new perspective,which can also be continuously sublimated and innovated while inheriting.
分 类 号:TU986.05[建筑科学—城市规划与设计]
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