丝路传播:中原音乐的西流与东归——以敦煌曲子辞等为例  

Silk Road Transmission:The Westward Flow and Eastward Return of Central Plains Music—Taking Dunhuang Lyrics and Songs as Examples

作　　者：林素坊 Lin Sufang

机构地区：[1]福建教育学院

出　　处：《艺术传播研究》2024年第6期103-113,共11页Journal of Art Communication

基　　金：国家社科基金重大项目“敦煌佛教文学艺术思想综合研究(多卷本)”(编号:19ZDA254)的阶段性成果。

摘　　要：华夏本土音乐在丝绸之路上曾有一个先西向传至河西,而后又东渐回流的过程。以敦煌曲子辞等事象为例,可以分析华夏本土音乐“西流”并在西域受到当地文化影响后再逐渐“东归”至中原的历史,从而揭示西域音乐能为中原接受的深层文化心理基础。采用比较研究法和图史互证法,通过重点分析曲调、曲律和乐器三方面的变迁与互鉴可以推断,中原音乐的西流与东归存在一定的因果联系,即中原音乐的西流使西域音乐带上了中原的特点,又让西域音乐在东传的过程中能迅速适应中原文化土壤。西域音乐的东传,本质上是在“中原化”中实现了一种回归,由此亦可看出音乐文化交流中的复杂性。Chinese local music once had a process of spreading westward to Hexi on the Silk Road,and then gradually returning eastward.Taking Dunhuang musical pieces as examples,we can analyze the history of Chinese local music spreading westward and gradually returning eastward to the Central Plains after being influenced by local culture in the Western Regions,thus revealing the deep cultural and psychological foundation of Western Region music being accepted by the Central Plains.By using comparative research and the method of mutual verification of historical figures,the focus is on analyzing the changes and mutual learning in tune,melody,and musical instruments.It can be inferred that there is a certain causal relationship between the westward transmission and eastward returning of Central Plains music,that is,the westward transmission of Central Plains music brought the characteristics of Central Plains to Western Region music,and also enabled Western Region music to quickly adapt to the cultural soil of Central Plains in the process of eastward transmission.The eastward transmission of music from the Western Regions is essentially a return to the Central Plains,which also highlights the complexity of cultural exchange in music.

关 键 词：丝绸之路音乐 敦煌曲子辞 曲调传播 曲律传播 乐器传播 

分 类 号：J609.2[艺术—音乐]