中国戏曲表演“绝活”的身体呈现及其文化意蕴  

The Physical Presentation and Cultural Implications of the “Unique Skills” in Chinese Opera Performance

作　　者：章新强 Zhang Xinqiang

机构地区：[1]浙江万里学院文化与传播学院

出　　处：《艺术传播研究》2024年第6期133-144,共12页Journal of Art Communication

基　　金：浙江省哲学社会科学“冷门绝学”重点资助项目“浙江戏曲‘绝活’研究”(编号:20LMJX10YB)的研究成果。

摘　　要：戏曲里的“绝活”是戏曲表演体系中一类引人注目的构件,是辅助戏曲艺术发展的一种独特的力量,有利于戏曲演出的奇绝感与完美感。中国戏曲的各剧种在漫长的发展过程中,受诸多因素的影响,形成了数量众多且风采各异的“绝活”。这些“绝活”的产生与运用离不开演员个体的身体创造,对保障戏曲舞台的艺术与文化品质而言亦具有不可忽视的价值与功能。以中国戏曲的这些“绝活”为研究对象,追寻其历史生成,探究其文化意蕴,可望对当代戏曲的传承发展与舞台创作实践提供一些参考。The“unique skill”in traditional Chinese opera is a striking component of the opera performance system,serving as a unique force in assisting the development of opera art and promoting a sense of uniqueness and perfection in opera performances.In the long process of development,various types of Chinese opera have been influenced by many factors,forming a large number of“unique skills”with different styles.The emergence and application of these“unique skills”cannot be separated from the individual physical creation of actors,and they also have undeniable artistic value and cultural function in ensuring the exquisite quality of the opera stage.Taking these“unique skills”of Chinese opera as the research object,exploring their historical generation and cultural connotations,it is expected to provide some reference for the inheritance,development and stage creation practice of contemporary opera.

关 键 词：中国戏曲 表演“绝活” 身体呈现 文化意蕴 

分 类 号：J812[艺术—戏剧戏曲]