至理在经营:王原祁“龙脉说”的问题域、含义及历史地位  

The Fundamental Principle in Composition:Context,Meaning,and Historical Status of Wang Yuanqi's"Dragon Vein Theory"

作　　者：赵星垣 Zhao Xingyuan

机构地区：[1]广西艺术学院艺术研究院,广西南宁530022

出　　处：《艺术探索》2024年第5期36-44,共9页Arts Exploration

基　　金：广西艺术学院2024年高层次人才科研启动经费项目(GCRC202406)。

摘　　要：20世纪以来,围绕王原祁“龙脉说”的研究大致在五种路向中进行,也产生了一些争议。回到画论系统中进行实证研究,其实“龙脉说”是在“经营位置”问题域中形成的,在王原祁画论中具有统摄形式和实现气韵的中心地位。伴随着对“造化”“心源”的观念化和形式化理解,“龙脉说”在中国画论史中将经营位置提高到了画中至理的地位。Since the 20th century,research on Wang Yuanqi's"Dragon Vein Theory"has generally followed five approaches,consequently sparking a number of debates.Empirical research on painting theory reveals that the"Dragon Vein Theory"was formed within the context of pictorial composition,and thus holds a central position in Wang Yuanqi's painting theory in both unifying form and achieving an artwork's charm.With the conceptual and formal understanding of"creation"and"aspiration",the"Dragon Vein Theory"has elevated pictorial composition to the status of fundamental principle within the history of Chinese painting theory.

关 键 词：龙脉说 问题域 经营位置 定位 

分 类 号：J212[艺术—美术]