南音活态旋律构建路径研究  

On the Construction Path of"Living"Melody in Nanyin Ballads

作　　者：梁继林[1] Liang Jilin

机构地区：[1]华侨大学音乐舞蹈学院,福建厦门361021

出　　处：《艺术探索》2024年第5期85-92,共8页Arts Exploration

基　　金：2021年度福建省社会科学基金项目“泉州南音箫弦‘做韵’研究”(FJ2021B188)。

摘　　要：南音独特的工乂谱记谱体系,只记录南音显性的骨干音和琵琶演奏法,而隐藏着丰富多元的唱腔旋律和其他乐器的演奏旋律。南音演唱、演奏者在工乂谱基础上,通过有规则的程式性和把握内在规律基础上的即兴性做韵融合,形成各自的唱奏旋律。做韵后的唱奏旋律,每一次、每一遍都有所不同,构成南音独特的多样性活态旋律。The unique gongyi notation system of Nanyin ballads only records the explicit"skeletal tones"and the playing methods of the pipa,while concealing a rich diversity of vocal melodies and the melodies of other instruments.Nanyin singers and players,based on the gongyi notation,form their own singing and accompanying melodies through regular procedural and improvisational integration,based on the grasp of internal rules,finally forming their own singing and accompanying melodies.The singing and accompanying melodies after rhymes differ each time,and thus perpetuate the unique diversity of the living melodies of Nanyin ballads.

关 键 词：南音 做韵 旋律 

分 类 号：J607[艺术—音乐]