自然审美:建构中国电影学派的有效理路  

Aesthetics of Nature:Building an Effective Rationale for the Chinese of Cinema

作　　者：王作剩 Wang Zuosheng

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《艺术探索》2024年第5期107-114,共8页Arts Exploration

基　　金：2022年度国家社会科学基金西部项目“国际传播视域下新世纪少数民族题材电影的中华民族共同体认同建构研究”(22XXW001);2023年度湖南省教育厅优秀青年项目“建构电影学派视域下中国早期电影中的自然审美研究”(23B0506);2023年度国家民委“西南丝绸之路”沿线国家文化研究中心基金项目(SCZLL2303)。

摘　　要：建构既具有中国性与民族性,又能为世界所接受的中国电影学派,应遵循以下三大原则:以中国为主体,兼具中外融通;以传统为基石,重视古今传承;以实践为中心,追求理论与实践互动。作为中国电影传统、民族性标识且具有吸引力的自然审美当能成为中国电影学派建构的有效理路。一方面,框取自然并赋予其民族性审美是中国电影的传统;另一方面,自然审美具有抒情言志的审美意味。In order to construct a Chinese school of cinema that has both Chinese and national characteristics and is accepted by the world,the following three major principles should be followed:taking China as the main body while integrating Chinese and foreign elements,using tradition as the cornerstone and valuing the inheritance of past and present,and turning practice into the core,while pursuing the interactive relationship between theory and practice.The aesthetics of nature,which is attractive and can be turned into an effective rationale for the construction of the Chinese school of cinema,should be seen as a tradition in Chinese cinema,a sign of nationality,and a compelling aesthetic.On the one hand,framing nature and endowing it with a national aesthetic is a tradition of Chinese cinema,on the other hand,the aesthetics of nature are imbued with lyrical and expressive aesthetic significance.

关 键 词：中国电影学派 自然审美 电影传统 吸引力 

分 类 号：J909.8[艺术—电影电视艺术]