家园神话与诗意想象:20世纪90年代以来中国乡村电影的空间叙事研究  

Homestead Mythology and Poetic Imagination:A Study on the Spatial Narrative of Chinese Rural Cinema since the 1990s

作　　者：余月秋 Yu Yueqiu

机构地区：[1]浙江传媒学院浙江省影视与戏剧研究中心,浙江杭州310018

出　　处：《艺术探索》2024年第5期115-122,共8页Arts Exploration

基　　金：2023年度国家社科基金艺术学项目“文明交流互鉴视域下海外华语电影的中国性研究”(23BC042)。

摘　　要：20世纪90年代以来中国乡村电影的空间叙事总体上呈现为一种清新、唯美、浪漫的美学风格。其诗意想象与家园神话的生成建立在农耕文明基础之上,是对照城市经验而建构出来的想象物。怀旧与乡愁是乡村乌托邦建构的情感结构。自然风光、民俗风情以及道德人伦是乡村电影诗意想象的重要媒介,使乡村成为诗意栖居的理想家园,形成了中国电影独具民族特色的诗意空间美学。Since the 1990s,the spatial narrative of Chinese rural cinema has generally presented a fresh,beautiful,and romantic aesthetic style.Its poetic imagination and the creation of hometown mythology are based on the foundation of agricultural civilisation and are imagined entities constructed in contrast to urban experiences.Nostalgia and homesickness are the emotional structures of the construction of a rural utopia.Natural scenery,folk customs,and moral ethics are important ingredients for the poetic imagination of rural cinema,making the countryside an ideal home for poetic dwelling,and forming a unique poetic spatial aesthetics in Chinese cinema,imbued with national aesthetic characteristics.

关 键 词：乡村电影 诗意空间 怀旧 乡愁 家园神话 

分 类 号：J905[艺术—电影电视艺术]