现代转型与跨界叙事——论铁凝小说的现代绘画底色  

Modern Transformation and Cross-Border Narrative:The Influence of Modern Painting on Tie Ning’s Novels

作　　者：周雪花[1] ZHOU Xuehua(College of Chinese Language and Literature,Hebei Normal University,Shijiazhuang,Hebei 050024,China)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《河北师范大学学报（哲学社会科学版）》2024年第6期105-111,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：河北省社会科学基金项目“铁凝文学年谱长编”(项目编号:HB22ZW001)。

摘　　要：现代绘画对铁凝的小说创作产生了极大影响,使铁凝完成了小说创作的现代转型,并形成了绘画与小说相融合的跨界叙事。具体而言,现代绘画中的颜色运用,不仅提亮了小说的色彩,更为重要的是绘画颜色的变化,使铁凝发现了时间,发现了蕴含于时间中的生命韵律,以及生命的隐喻与象征。在形象的构图上,既突出了女性自身的形体之美,更发掘出女性形象在传统与现代交织下的精神和谐。绘画中的观照与凝视,给予铁凝叙事视角上的启示,以窥视与审视的现代叙事视角抵达人类幽微的内心世界,实现了对人性的深度透视。This study examines the profound impact of modern painting on Tie Ning’s novel writing,focusing on how it facilitates her modern transformation in literary creation and fosters a cross-border narrative that seamlessly integrates painting and fiction.In color usage,the study analyzes how modern painting’s approach to color not only enriches the visual palette of Tie Ning’s novels but also enables her to uncover temporal dimensions,life rhythms,and metaphorical symbolism within her narratives.In image composition,the paper investigates how painting techniques inform Tie Ning’s portrayal of female characters,highlighting both physical beauty and the spiritual harmony achieved through the interplay of tradition and modernity.In narrative perspective,the research demonstrates how the concepts of attention and gaze in painting inspire Tie Ning’s narrative strategies,leading to a modern perspective that employs peeping and scanning techniques to delve into the intricate inner worlds of her characters.

关 键 词：铁凝小说 现代绘画 现代转型 跨界叙事 

分 类 号：I206[文学—中国文学]