论乾隆及宗室诗画创作的寓意风流、逸趣和书气  

Implied Charm,Leisurely Interest,and Scholar's Temperament of Emperor Qianlong and His Imperial Clan for Poetry and Painting Creations

作　　者：欧阳智敏 Ouyang Zhimin

机构地区：[1]南开大学文学院

出　　处：《文学与文化》2024年第3期50-58,共9页Literature and Culture Studies

基　　金：国家社会科学基金重大项目“中国近世书画文学文献整理和研究”(19ZDA275)的阶段性成果。

摘　　要：乾隆雅好诗书画,精于创作和鉴赏,在清宗室中引领吟诗品画的风流时尚。他创作了大量自题绘画的诗,推崇书画同体的文人墨戏,追慕元代画家的“逸品”境界。受其影响,以慎郡王允禧、固山贝子弘旿为代表的清宗室,也雅好文人画和书艺,将“依仁游艺”作为儒雅人格修养的不二法门。怡情悦性的书画游艺,不仅使原本尚武的满清贵族具有了书卷气,也是他们追求满汉融合的文化认同,体现了少数民族政权对中华优秀传统文化的继承与弘扬。Emperor Qianlong was fond of poetry,calligraphy and painting and skilled in creation and appreciation,leading the fashionable trend of poetry and painting in the Qing imperial court.He composed a large number of poems for the paintings,praised the literary combination between calligraphy and painting,and admiringly pursued the leisurely elegance of the painters in the Yuan Dynasty.Under his influence,the Qing imperial clan members,represented by Yun Xi(King Shenjun)and Hong Wu(Gushan Junior Prince),were also fond of the literati painting and calligraphy,regarding"benevolent-oriented literary arts"as the only way to cultivate a refined personality.The delighted and enjoyable calligraphy and painting creations not only imbued the originally martial aristocrats of the Qing Dynasty with a scholarly quality,but also demonstrated their cultural identity in pursuing the integration of Manchu and Han cultures,reflecting the inheritance and promotion of excellent traditional Chinese culture by the imperial court of ethnic minority.

关 键 词：乾隆 宗室 诗画 书卷气 

分 类 号：I207.22[文学—中国文学] J212[艺术—美术] K249.3[历史地理—历史学]