新民主主义革命时期中国共产党对文艺主体的伦理重塑与建构  

The Communist Party of China’s Ethical Remodeling and Construction of the Subject of Literature and Art in the New Democratic Revolution Period

作　　者：张清民[1] ZHANG Qing-min(Research Center of Literature and Art,Henan University,Kaifeng 475001,China)

机构地区：[1]河南大学文艺学研究中心,河南开封475001

出　　处：《西北大学学报（哲学社会科学版）》2024年第6期50-57,共8页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“百年来中国共产党文艺思想中的人民主体性阐释研究”(23&ZD274)。

摘　　要：新民主主义革命时期,中国共产党全方位践行艺术服务人民的初心。理论层面,中国共产党重塑主体的社会身份和社会认知,通过“革命战士”“文艺工作者”两个文化符号的建构,一方面让文艺主体客体化,以适应彼时革命斗争环境之所需,另一方面让文艺知识分子获得新的社会身份,由个体伦理关系转化为集体伦理关系,从而对广大民众产生心理和社会认同。实践层面,中国共产党通过“集体创作”方式确立起文艺领域的“人民主体”原则,让普通民众的文艺主体性得到充分展现,这一新的文艺实践极大增强了文艺家的集体认同感与归属感。In the Democratic Revolution Period,the Communist Party of China fully practised the original intention of art to serve the people.At the theoretical level,the Communist Party of China reshaped the social identity and social cognition of the subject.Through the construction of the two cultural symbols of“revolutionary fighters”and“literary and artistic workers”,on the one hand,the subject of literature and art was objectified to meet the needs of the revolutionary struggle environment at that time.On the other hand,the literary and artistic intellectuals obtained a new social identity,which was transformed from individual ethical relations to collective ethical relations,thus generating psychological and social identity for the general public.At the practical level,the Communist Party of China established the principle of“people’s subject”in the field of literature and art through“collective creation”,so that the literary and artistic subjectivity of the ordinary people could be fully demonstrated.This new literary and artistic practice has greatly enhanced the collective identity and sense of belonging of writers and artists.

关 键 词：中国共产党 伦理重构 文化建构 “人民主体性” 

分 类 号：I206[文学—中国文学]