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作 者:汤力 TANG Li(Shool of Art and Design,Xi’an Fanyi University,Xi’an 710105,China)
机构地区:[1]西安翻译学院艺术与设计学院,陕西西安710105
出 处:《染整技术》2024年第10期98-101,共4页Textile Dyeing and Finishing Journal
摘 要:随着艺术融合的发展,婚纱设计成为山水画美学的具象表达。通过分析山水画“以意立像”“色墨相宜”的特征及谢赫“六法”的美学原则,探讨其在婚纱设计中轮廓线条、色彩图案、视觉整体的美学意蕴,从而揭示山水画美学对促进山水画文化融合传承,建立中国化审美意识和丰富婚纱设计意境的价值,最后得出“骨法用笔”与婚纱结构线条的协同,“随类赋彩”与婚纱色彩虚实的构成,“气韵生动”与婚纱面料材质的融合三方面的互动影响。With the development of artistic fusion,wedding dress design has become a concrete expression of the aesthetics of landscape painting.By analyzing the characteristics of landscape painting of“creating an image with intention”,“appropriate color and ink”and the aesthetic principles of Xiehe’s“Six methods”,the aesthetic implications of contour lines,color patterns,and visual overall in wedding dress design are explored,thus revealing the value of landscape painting aesthetics in promoting the integration and inheritance of landscape painting culture,establishing Chinese aesthetic awareness and enriching the artistic conception of wedding dress design.Finally,the interactive influence of the coordination of“bone-method brushwork”and the structural lines of wedding dresses,“applying color according to the type”and the virtual and real composition of wedding dress colors,and“vivid charm”and the integration of wedding dress fabrics and materials is obtained.
分 类 号:TS941.7[轻工技术与工程—服装设计与工程]
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