声学视阈下的龙江剧刀马花旦演唱研究  

An Acoustics Study on the Singing of Daoma Huadan in Longjiang Opera

作　　者：宋超 王鸿俊 Song Chao;Wang Hongjun

机构地区：[1]琼台师范学院音乐学院,海口571127 [2]哈尔滨音乐学院,哈尔滨150028

出　　处：《北方音乐》2024年第4期25-32,共8页Journal of the Northern Music

摘　　要：中国传统戏曲中不同的行当具有不同的嗓音特征。作为黑龙江地方戏曲的代表龙江剧,在塑造剧种特性嗓音的鲜活人物身上,又表现为不同的行当嗓音特质。以龙江剧代表剧目中的刀马花旦演员的演唱为研究对象,通过声学仪器采集了刀马花旦行当的嗓音歌唱信号,将演员歌唱时的声音表现、颤音的基频、频谱特征作为重要的声学参照点,阐释其在声学表现上所具有的嗓音特征,以此实现多维度考证龙江剧刀马花旦的演唱,分析其建构剧种特色的成功经验。Each Hangdang[role sorts]in Chinese traditional opera has distinct voice style.As the representative local opera of Heilongjiang,Longjiang Opera individuates the vivacious figures of ev-ery Hangdang with characteristic voice dissimilarly.Sellected Daoma Huadan[actress of that armed and mounted virago who are extrovert middle-aged&young] in the representative Longjiang Operas as the research object,we collected the voice signals of the Daoma Huadan singing by the acoustic instruments,and then took the vocal expression,fundamental frequency of vibrato and spectral characteristics as the main acoustic references,aim to explain the voice characteristics in the aspect of acoustics.This multi-dimensional verification of the singing of the Daoma Huadan pro-vide an analysis of the successful experience in construction of the characteristic voice of the opera type.

关 键 词：声学研究 龙江剧 刀马花旦 颤音 

分 类 号：J616.12[艺术—音乐]